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Success Story Interview - Rachael Nasworthy | R.M. Worthy

An Interview with Rachael Nasworthy | R.M. Worthy (RM_Worthy on QT) upon receiving an offer of representation from agent Lindsay Watson of Ethan Ellenberg Literary Agency.

10/05/2026

QT: Can you tell us a little bit about the book for which you've found representation? What inspired you to write it?
Rachael Nasworthy | R.M. Worthy:
The Ringmaster's Darling is a dark romantasy about a human woman who enters a supernatural circus competition and catches the attention of Caspen Vale, the circus's ringmaster and a powerful demon lord. What starts as her chance to finally step into the spotlight turns into something much bigger when he chooses her to be his Darling and pulls her deeper into his world.
The idea actually started with my MMC, Caspen. I knew I wanted to write a monster romance, specifically between a demon and a human woman. His character came to me before the rest of the story did. The circus setting came a little later, and once I had the idea of making him the ringmaster, everything really started coming together. From there, my FMC, Bristol, the Darling Games, and the rest of their world grew around them. I'm a huge fan of dark romance and romantasy, so I really just wrote the kind of book I would want to read myself.
QT: How long have you been writing?
Rachael Nasworthy | R.M. Worthy:
I've been writing for about a year. I'm still fairly new to it, which makes finding representation this early in my writing journey feel even more surreal!
QT: How long have you been working on this book?
Rachael Nasworthy | R.M. Worthy:
I worked on The Ringmaster's Darling for eleven months. It took me nine months to write the first draft, followed by two months of editing and revisions before I started querying.
QT: Was there ever a time you felt like giving up, and what helped you to stay on course?
Rachael Nasworthy | R.M. Worthy:
While I was writing, I never really felt like giving up. I was in love with this story and was determined to finish it. I actually celebrated my first rejection because, to me, it felt like a milestone. Rejection is part of the querying process, and getting that first one meant I was officially in it. The doubt didn't start creeping in until I had received a few more. That's when I started wondering if maybe the book wasn't what I thought it was, or if I had overestimated how good it was. I remember talking to my parents after five rejections, and my dad reminded me of Stephen King and how many times he was rejected before someone finally took a chance on his work. He basically told me to look at where his career is now and that stuck with me. I made a mental note to watch for patterns in the rejections I received. If they came back consistently with the same critique, it might be a sign that I need to work on the manuscript. Otherwise, I tried to remind myself that so much of this industry comes down to personal taste. One person passing on my book didn't determine the quality of my work. It just meant it wasn't the right book for that person.
QT: Is this your first book?
Rachael Nasworthy | R.M. Worthy:
No. My first novel, Between Paper & Pulse, was self-published. I actually wrote Beneath Winter Pines and The Ringmaster's Darling around the same time, going back and forth between the two depending on which story I felt inspired to work on. I'm currently working on my next novel, Funeral Favors, a dark romcom.
QT: Do you have any formal writing training?
Rachael Nasworthy | R.M. Worthy:
No, I've learned by reading, writing, researching, and just figuring things out as I go.
QT: Do you follow a writing routine or schedule?
Rachael Nasworthy | R.M. Worthy:
Not really. I write whenever I get the chance and as often as I can. I don't have a set schedule or word count goal that I follow. I just try to make time for it whenever I can. Now that I have representation though, I definitely plan to be more intentional about prioritizing my writing time.
QT: How many times did you re-write/edit your book?
Rachael Nasworthy | R.M. Worthy:
I went through five rounds of editing and revisions over two months. I didn't rewrite the book, but I made multiple passes making changes, tightening things up, and fixing anything that wasn't working. During my last round of edits, I ended up adding two new chapters.
QT: Did you have beta readers for your book?
Rachael Nasworthy | R.M. Worthy:
No. I was a little hesitant to hand the manuscript over to people I didn't know, especially because of some of the darker and spicy content, so I ultimately decided to trust my instincts during the editing process.
QT: Did you outline your book, or do you write from the hip?
Rachael Nasworthy | R.M. Worthy:
I do a little bit of outlining, but for the most part, I write from the hip. I keep a notebook and do the same kind of brainstorming we were taught in elementary school, with the main idea in a circle and branches coming off of it. I used that quite a bit when developing my characters and did a little worldbuilding, but I mostly discover as I write.
QT: How long have you been querying for this book? Other books?
Rachael Nasworthy | R.M. Worthy:
I queried The Ringmaster's Darling for seven weeks before receiving two offers of representation. This was my first time querying, so I haven't queried any other books.
QT: About how many query letters did you send out for this book?
Rachael Nasworthy | R.M. Worthy:
I sent out 26 query letters.
QT: On what criteria did you select the agents you queried?
Rachael Nasworthy | R.M. Worthy:
I mainly looked for agents who represented romance, fantasy, or romantasy, and seemed open to darker and spicier stories. Lindsay was almost comically perfect for my book based on what she was looking for, but I originally skipped her because some of the comments on QueryTracker made me hesitant. I ended up coming back to her later and decided to take the chance, which I'm obviously very glad I did!
QT: Did you tailor each query to the specific agent, and if so, how?
Rachael Nasworthy | R.M. Worthy:
Not specifically to each agent, other than changing the greeting. However, almost every time I sent a new query, I looked over the letter again and thought about what I could improve. So there were probably small differences in the query letter from one agent to the next.
QT: What advice would you give other writers seeking agents?
Rachael Nasworthy | R.M. Worthy:
From my personal experience, I would advise other writers to never skip an agent just because their QueryTracker history seems quiet. I almost skipped the agent I ultimately signed with because I wasn't seeing responses in the comments, and like others, assumed she might not be very active. I came back to her later, decided to take the chance because the worst that could happen is I never hear back. Just because you aren't seeing responses doesn't necessarily mean queries aren't being read. I'd also say to never stop improving your query letter. Every time you're about to send another query, read it again and ask yourself if there's anything you can make stronger. Mine changed throughout the process, and I think there's almost always something you can tighten or improve. One of the biggest improvements I made to mine was adding a small detail that showed there was more depth to the story beyond the main plot. It gave the agents a better idea of what they would find in the manuscript. After I made that change, I started seeing more positive responses and shortly after, I received two offers of representation.

Query Letter:

Dear Ms. Watson,

I'm writing to you seeking representation for The Ringmaster's Darling, an adult dark romantasy just over 66,000 words that is the first novel in the planned Crowns of Hell duology.

I'm an indie author from Alabama. I self-published my debut novel, Between Paper & Pulse, as a personal milestone with little focus on marketing or sales. For The Ringmaster's Darling, I am seeking traditional publication.

The Ringmaster's Darling is the story of Bristol Hart, who has spent her entire life living in a supernatural circus, hidden among witches, demons, fae, and other creatures beneath an alchemical disguise that allows her to pass as a weak witch, just as her warlock father intended. At twenty-one, she's tired of being overlooked and treated as though she barely exists. More than anything, she wants the chance to step into the center of the ring and finally be seen—to truly exist in the only world she's ever known. So when the circus announces the Darling Games, Bristol enters despite the rule forbidding humans from participating, trusting her father's magic to protect the secret she has guarded all her life.

The circus is ruled by Caspen Vale, an immortal demon, Lord of Hell's Ninth Ring, and the most powerful of the nine lords. Beneath the performances, its true purpose is far darker: it lures corrupt humans into its tents so Caspen can consume their rotten souls. When Bristol enters his ring, he senses her mortal heartbeat. Rather than expose her, he interrupts the Games and claims Bristol as his Darling in front of the entire circus. Caspen is possessive, cruel, feared, and used to taking whatever interests him. By choosing a human, he breaks laws Hell has followed for centuries and pulls Bristol into the politics of a demon realm that was never meant to include her.

As Bristol and Caspen grow closer, betrayal exposes her humanity and drags her before the courts of Hell. Given an ultimatum—dissolve her marriage and go to the mortal realm or complete the Rite of the Queen and remain at her husband's side—Bristol is forced toward a crown neither she nor Caspen intended for her to wear. To survive, she must surrender her soul to the Ninth Ring and endure the deeply invasive trial written for any female who would stand beside a king, though it has never before been invoked. The Rite places her at the mercy of Satan himself, but what neither Bristol nor Caspen expects is that Satan's fascination with her may become something that belongs not between two of them, but among all three.

What Bristol doesn't know is that her destiny began with a love story much like her own. Years before her birth, her father, Malric, fell in love with a mortal woman and created a place for her within his supernatural world. Bristol is unknowingly repeating their history with Caspen, risking everything for the same forbidden love that made her existence possible.

Caught between the demon who finally made her feel seen and the Devil, who intends to test every limit she has, Bristol must complete the Rite, navigate the politics of Hell, protect her place beside her husband, and decide what kind of queen she will become.

The novel closes with a subtle homage to Edgar Allan Poe's Annabel Lee, reflecting Caspen's obsessive, death-defying devotion to Bristol.

I believe The Ringmaster's Darling will appeal to readers who enjoyed the dark supernatural atmosphere and competition of Phantasma by Kaylie Smith, the demonic romance of Her Soul to Take by Harley Laroux, the ritualistic sexual ceremony of The Poison Daughter by Sheila Masterson, and the why-choose, morally complicated relationships of Liv Zander's Feathers So Vicious. In feedback on the manuscript, another literary agent also compared it to The Night Circus by Erin Morgenstern, The All Souls Series by Deborah Harkness, and The Invisible Life of Addie LaRue by V.E. Schwab. It combines a protective monster romance with the beginnings of a why-choose dynamic that develops across the planned duology.

Thank you for your time and consideration.

Sincerely,

Rachael Nasworthy